Im dialog phönix

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In der Reihe "phoenix persönlich" steht ein prominenter Gast aus Politik, Wirtschaft, Kultur oder Gesellschaft IM DIALOG: Freitagss um Uhr bei phoenix. März PHOENIX - Bonn (ots) - "Es war ein schrecklicher Schock, der mich in den Grundfesten meines Inneren erschüttert hat, man kann auch sagen. Febr. PHOENIX - Bonn (ots) - "Einsamkeit ist schmerzhaft, ansteckend und potentiell tödlich", sagt der populäre Psychiater und Hirnforscher Manfred. Das Phänomen Einsamkeit und soziale Isolation betrifft in erster Linie sehr alte Menschen, aber auch junge Erwachsene. Thomas Middelhoff es ist schön dich zu haben eine beispiellose Karriere hingelegt, war u. Bonn ots - Die Macht der Kanzlerin schwindet: Sie ist ab sofort online bei phoenix. Der neue Ausnahmesportler an der Spitze der Mustang-Baureihe Das wird ja verhandelt, und wenn die Ergebnisse der Verhandlungen so sind, dass die Mehrheit sagt, das kann man machen, dann bin ich dafür, dass wir es tun und football krefeld würde ich auch persönlich kämpfen. Und das auch in der Ressortfrage:

Klee has been variously associated with Expressionism , Cubism , Futurism , Surrealism , and Abstraction , but his pictures are difficult to classify.

He generally worked in isolation from his peers, and interpreted new art trends in his own way. He was inventive in his methods and technique. Klee worked in many different media— oil paint , watercolor , ink , pastel , etching , and others.

He often combined them into one work. He used canvas, burlap, muslin, linen, gauze, cardboard, metal foils, fabric, wallpaper, and newsprint. He was a natural draftsman, and through long experimentation developed a mastery of color and tonality.

Many of his works combine these skills. He uses a great variety of color palettes from nearly monochromatic to highly polychromatic. His works often have a fragile childlike quality to them and are usually on a small scale.

He often used geometric forms and grid format compositions as well as letters and numbers, frequently combined with playful figures of animals and people.

Some works were completely abstract. Many of his works and their titles reflect his dry humor and varying moods; some express political convictions.

They frequently allude to poetry, music and dreams and sometimes include words or musical notation.

The later works are distinguished by spidery hieroglyph -like symbols. Among the few plastic works are hand puppets made between and , for his son Felix.

Thirty of the preserved puppets are stored at the Zentrum Paul Klee , Bern. Jungfrau im Baum ties on the motive Le cattive madri by Giovanni Segantini.

As their clothes and insignia were bereft, "both of them have no clue if their conventional salute […] is in order or not. As they assume that their counterpart could have been higher rated", they bow and scrape.

Hilterfingen , , ink on paper, Solomon R. Guggenheim Museum , New York. Aged Phoenix , , etching, Solomon R. Klee began to introduce a new technique in Klee conveyed the scenery in a grid, so that it dissolves into colored harmony.

It took over ten years that Klee worked on experiments and analysis of the color, resulting to an independent artificial work, whereby his design ideas were based on the colorful oriental world.

Germain , , watercolor on paper on cardboard, Zentrum Paul Klee , Bern. Acrobats , , watercolor, pastel and ink on paper, Solomon R.

It indicates the relations between color and the stimulus of Macke and Delaunay. Although elements of the garden are clearly visible, a further steering towards abstraction is noticeable.

In his diary Klee wrote the following note at that time:. In the large molding pit are lying ruins, on which one partially hangs.

They provide the material for the abstraction. Under the impression of his military service he created the painting Trauerblumen Velvetbells in , which, with its graphical signs, vegetal and phantastic shapes, is a forerunner of his future works, harmonically combining graphic, color and object.

For the first time birds appear in the pictures, such as in Blumenmythos Flower Myth from , mirroring the flying and falling planes he saw in Gersthofen, and the photographed plane crashes.

In the watercolor painting Einst dem Grau der Nacht enttaucht , a compositional implemented poem, possible written by Klee, he incorporated letters in small, in terms of color separated squares, cutting off the first verse from the second one with silver paper.

At the top of the cardboard, which carries the picture, the verses are inscribed in manuscript form. The Villa R Kunstmuseum Basel from unites visible realities such as sun, moon, mountains, trees and architectures, as well as surreal pledges and sentiment readings.

His works during this time include Camel in rhythmic landscape with trees as well as other paintings with abstract graphical elements such as betroffener Ort Affected Place After being named defamatory in the Munich exhibition " Entartete Kunst ", the painting was later bought by the Buchholz Gallery, New York, and then transferred in to the Museum of Modern Art.

The "twittering" in the title refers to the open-beaked birds, while the "machine" is illustrated by the crank.

The watercolor painting appears at a first glance childish, but it allows more interpretations. Through variations of the canvas ground and his combined painting techniques Klee created new color effects and picture impressions.

Its overlaying technique evinces the polyphonic character of his drawing method between and In this mosaic-like work in the style of pointillism he combined different techniques and compositional principles.

Influenced by his trip to Egypt from to , Klee built a color field from individually stamped dots, surrounded by similarly stamped lines, which results in a pyramid.

Above the roof of the " Parnassus " there is a sun. The title identifies the picture as the home of Apollo and the Muses. In the architecture of the ancient funerary moments Klee discovered a sense of proportion and measure in which human beings appeared to establish a convincing relationship with the immensity of the landscape; furthermore, he was drawn to the esoteric numerology that governed the way in which these monuments had been built.

The self-portrait in the same year—with the programmatic title von der Liste gestrichen removed from the list —provides information about his feeling after losing his professorship.

The abstract portrait was painted in dark colors and shows closed eyes and compressed lips, while on the back of his head there is a large "X", symbolizing that his art was no longer valued in Germany.

Senecio , , oil on gauze, Kunstmuseum Basel , Basel. Fright of a Girl , , Watercolor, India ink and oil transfer drawing on paper, with India ink on paper mount, Solomon R.

In this period Klee mainly worked on large-sized pictures. After the onset of illness, there were about 25 works in the catalogue, but his productivity increased in to pictures, to , and —his most productive year—to They dealt with ambivalent themes, expressing his personal fate, the political situation and his joke.

Examples are the watercolor painting Musiker musician , a stick-man face with partially serious, partially smiling mouth; and the Revolution des Viadukts Revolution of the Viadukt , an anti-fascist art.

In Viadukt the bridge arches split from the bank as they refuse to be linked to a chain and are therefore rioting. Bitterness and sorrow are not rare in much of his works during this time.

Zeichen in Gelb , , pastel on cotton on colored paste on jute on stretcher frame, Fondation Beyeler, Riehen near Basel. Revolution des Viadukts , , oil on oil grounding on cotton on stretcher frame, Hamburger Kunsthalle.

Insula dulcamara , , oil color and colored paste on newsprint on jute on stretcher frame, Zentrum Paul Klee , Bern.

Klee created in a picture which strongly differs from the previous works, leaving it unsigned on the scaffold. The comparatively realistic still life , Ohne Titel , later named as Der Todesengel Angel of Death , depicts flowers, a green pot, sculpture and an angel.

The moon on black ground is separated from these groups. The new Phoenix Design Shanghai Ltd. A team — still small — of experienced designers has been working on projects for mainly Asian clients.

Redesign of the brand. From product design to innovation design partner: Phoenix Design adjusts its visual appearance. With the new Corporate Design, Phoenix Design not only parts with its red square, the logo is also shortened to one single concise word: The number of design prizes from the most diverse competitions since is steadily rising: As the new Director Digital, Marius Bauer 3rd f.

In , Andreas Diefenbach middle and Joon-Mo Lee right were already appointed as members of the board. In addition, Yifan Zhang 2nd f.

Design Team of the Year The Phoenix Design Academy is considered a design laboratory for conducting experiments and creating concepts.

Here, non-commercial projects may take shape, unfettered by specifications and client directives, and here entirely new design aspects can be developed.

This forum of creative latitude is where seasoned designers and young talents can meet and team up to design the world of tomorrow. Moreover, the Phoenix Design Academy is expressly devoted to developing up-and-coming designers.

Talented students can work on their final thesis here while being supported, both workwise and financially, by experienced designers and model builders from the Phoenix Design Team.

Touchingly meaningful, dynamic and aesthetic. Balance beam, side horse and asymmetrical bars in a new shape, not only sporting the athletic quality of gymnastical achievement, but also — and even especially so — their aesthetic quality.

Architecture represents the spirit of its age and societal conditions. The dilemma between an immensely growing demand of construction materials and finite resources calls for a new thinking in the construction industry.

The necessity for ecologically sensitive building means that traditional practices must change. The analysis of biological constructions and their execution in architecture and technological systems plays an ever more important role.

Architecture and construction will, in the future, move even closer together at the interface of computer-aided design, additive manufacturing, material technology, and synthetic biology.

The DUOTEC concept represents a mobile robotic system for realising extremely lightweight and stable architectural structures according to prototypes found in nature.

One of the robots builds individual modules of the structure which are then combined and closed in a planar manner by the second robot.

State-of-the-art coiling and printing processes using fibre compound materials make it possible to use only minimal material quantities while offering individual design opportunities.

The aim of the concept design is to illustrate the potentials of new technologies, to inspire, and to present food for thought.

AR Airport Navigation App. Augmented Reality AR is finding its way into our daily life. This technology which has been explored in experiments for quite a while in the large research laboratories and universities is now ready to enter the mass market, being already accessible as smartphone applications or special hardware.

The areas of application extend from games via learning environments all the way to practical deployment in warehouses or production facilities.

The basic principle — overlaying reality with additional digital information — offers promising possibilities for displaying information in a large number of contexts, wherever it is needed.

In a first step, they analysed which technological possibilities exist today, and how design principles might be deduced from these via an experimental approach.

In parallel, they developed an exemplary interaction scenario in which they transfer the principles defined by them to the context of an airport.

From navigation via searching for information all the way to practical travel tips, a concept and prototype has evolved which shows the benefits of Augmented Reality.

Today, a journey takes place via many different stations from a starting location to a destination location. However, the stations are often independent of one another, offering no coherent connection.

The airplane offers the opportunity to get from point A to point B fast and conveniently. However, the service user experience is not at all central; rather, the focus is on DIN standards and efficiency.

Amid the fierce airline competition, however, passenger service can present a competitive edge. The concept includes a new approach to on-board services, both in terms of thinking and packaging: NONO — Change the way you hear the world.

What if each of us could design their own soundscape? What if we were free to hear and listen to what we want to, whenever we want to? NONO now offers each user the option to design their very own personal sound backdrop.

The basic idea is a further development of the principle that ANC headphones are already using today: But with NONO each user can decide for themselves which sound is to be filtered out.

Timbre, echo, volume and clarity of a sound can be altered as well — thus, each user can individually create their perfect sound environment.

Bat - Mobility in Darkness. The night, a short time frame rife with opposites. Filled with darkness and mysticism, but also with beauty and fascination when we fill it with light.

It seems as if we human beings feel the urge more and more frequently to be active in this precise time frame and to enjoy the silence of the night.

We want to be out and about as individuals and discover our surroundings while feeling safe and self-confident at all times. The Bat concept is a flying light with accompanies you wherever you are and which shows you the way.

Bat is small and compact when it is transported. Unfolded, it is agile and creates a lighting atmosphere where otherwise none would exist.

Bat is intelligent, tracks its environment and is able to react to you and your gestures. Now there is a new kind of interaction: Juicy Bites — der personalisierte Smart-Snack.

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Im dialog phönix 218
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Some works were completely abstract. Many of his works and their titles reflect his dry humor and varying moods; some express political convictions.

They frequently allude to poetry, music and dreams and sometimes include words or musical notation. The later works are distinguished by spidery hieroglyph -like symbols.

Among the few plastic works are hand puppets made between and , for his son Felix. Thirty of the preserved puppets are stored at the Zentrum Paul Klee , Bern.

Jungfrau im Baum ties on the motive Le cattive madri by Giovanni Segantini. As their clothes and insignia were bereft, "both of them have no clue if their conventional salute […] is in order or not.

As they assume that their counterpart could have been higher rated", they bow and scrape. Hilterfingen , , ink on paper, Solomon R.

Guggenheim Museum , New York. Aged Phoenix , , etching, Solomon R. Klee began to introduce a new technique in Klee conveyed the scenery in a grid, so that it dissolves into colored harmony.

It took over ten years that Klee worked on experiments and analysis of the color, resulting to an independent artificial work, whereby his design ideas were based on the colorful oriental world.

Germain , , watercolor on paper on cardboard, Zentrum Paul Klee , Bern. Acrobats , , watercolor, pastel and ink on paper, Solomon R. It indicates the relations between color and the stimulus of Macke and Delaunay.

Although elements of the garden are clearly visible, a further steering towards abstraction is noticeable.

In his diary Klee wrote the following note at that time:. In the large molding pit are lying ruins, on which one partially hangs.

They provide the material for the abstraction. Under the impression of his military service he created the painting Trauerblumen Velvetbells in , which, with its graphical signs, vegetal and phantastic shapes, is a forerunner of his future works, harmonically combining graphic, color and object.

For the first time birds appear in the pictures, such as in Blumenmythos Flower Myth from , mirroring the flying and falling planes he saw in Gersthofen, and the photographed plane crashes.

In the watercolor painting Einst dem Grau der Nacht enttaucht , a compositional implemented poem, possible written by Klee, he incorporated letters in small, in terms of color separated squares, cutting off the first verse from the second one with silver paper.

At the top of the cardboard, which carries the picture, the verses are inscribed in manuscript form. The Villa R Kunstmuseum Basel from unites visible realities such as sun, moon, mountains, trees and architectures, as well as surreal pledges and sentiment readings.

His works during this time include Camel in rhythmic landscape with trees as well as other paintings with abstract graphical elements such as betroffener Ort Affected Place After being named defamatory in the Munich exhibition " Entartete Kunst ", the painting was later bought by the Buchholz Gallery, New York, and then transferred in to the Museum of Modern Art.

The "twittering" in the title refers to the open-beaked birds, while the "machine" is illustrated by the crank. The watercolor painting appears at a first glance childish, but it allows more interpretations.

Through variations of the canvas ground and his combined painting techniques Klee created new color effects and picture impressions.

Its overlaying technique evinces the polyphonic character of his drawing method between and In this mosaic-like work in the style of pointillism he combined different techniques and compositional principles.

Influenced by his trip to Egypt from to , Klee built a color field from individually stamped dots, surrounded by similarly stamped lines, which results in a pyramid.

Above the roof of the " Parnassus " there is a sun. The title identifies the picture as the home of Apollo and the Muses. In the architecture of the ancient funerary moments Klee discovered a sense of proportion and measure in which human beings appeared to establish a convincing relationship with the immensity of the landscape; furthermore, he was drawn to the esoteric numerology that governed the way in which these monuments had been built.

The self-portrait in the same year—with the programmatic title von der Liste gestrichen removed from the list —provides information about his feeling after losing his professorship.

The abstract portrait was painted in dark colors and shows closed eyes and compressed lips, while on the back of his head there is a large "X", symbolizing that his art was no longer valued in Germany.

Senecio , , oil on gauze, Kunstmuseum Basel , Basel. Fright of a Girl , , Watercolor, India ink and oil transfer drawing on paper, with India ink on paper mount, Solomon R.

In this period Klee mainly worked on large-sized pictures. After the onset of illness, there were about 25 works in the catalogue, but his productivity increased in to pictures, to , and —his most productive year—to They dealt with ambivalent themes, expressing his personal fate, the political situation and his joke.

Examples are the watercolor painting Musiker musician , a stick-man face with partially serious, partially smiling mouth; and the Revolution des Viadukts Revolution of the Viadukt , an anti-fascist art.

In Viadukt the bridge arches split from the bank as they refuse to be linked to a chain and are therefore rioting.

Bitterness and sorrow are not rare in much of his works during this time. Zeichen in Gelb , , pastel on cotton on colored paste on jute on stretcher frame, Fondation Beyeler, Riehen near Basel.

Revolution des Viadukts , , oil on oil grounding on cotton on stretcher frame, Hamburger Kunsthalle. Insula dulcamara , , oil color and colored paste on newsprint on jute on stretcher frame, Zentrum Paul Klee , Bern.

Klee created in a picture which strongly differs from the previous works, leaving it unsigned on the scaffold. The comparatively realistic still life , Ohne Titel , later named as Der Todesengel Angel of Death , depicts flowers, a green pot, sculpture and an angel.

The moon on black ground is separated from these groups. During his 60th birthday Klee was photographed in front of this picture. In a minimum of one line he can reveal his wisdom.

He is everything; profound, gentle and many more of the good things, and this because: When Klee visited the Paris surrealism exhibition in , Max Ernst was impressed by his work.

His partially morbid motifs appealed to the surrealists. He is by no means a dreamer; he is a modern person, who teaches as a professor at the Bauhaus.

But Breton despises him. In Marcel Duchamp commented on Paul Klee: A deep understanding of dealing with watercolors to paint a personal method in oil, structured in decorative shapes, let Klee stand out in the contemporary art and make him incomparable.

On the other side, his experiment was adopted in the last 30 years by many other artists as a basis for newer creations in the most different areas in painting.

His extreme productivity never shows evidence of repetition, as is usually the case. He had so much to say, that a Klee never became an other Klee.

In his "Theses on the Philosophy of History" Benjamin suggests that the angel depicted in the painting might be seen as representing the angel of history.

Unlike his taste for adventurous modern experiment in painting, Klee, though musically talented, was attracted to older traditions of music; he neither appreciated composers of the late 19th century, such as Wagner , Bruckner and Mahler , nor contemporary music.

Bach and Mozart were for him the greatest composers; he most enjoyed playing the works by the latter. Director Vassilis Mazomenos was the production designer of the film.

It is located within the art history department, established by Franz-Joachim Verspohl. It encompasses the private library of book collector Rolf Sauerwein which contains nearly works from 30 years composed of monographs about Klee, exhibition catalogues, extensive secondary literature as well as originally illustrated issues, a postcard and a signed photography portrait of Klee.

Located in Bern, the museum exhibits about of Klee works overall in a six-month rotation, as it is impossible to show all of his works at once.

Furthermore, his pictures require rest periods; they contain relatively photosensitive colors, inks and papers, which may bleach, change, turn brown and become brittle if exposed to light for too long.

In , a Google Doodle was created to celebrate his th birthday. Edit Read in another language Paul Klee. For other uses, see Klee disambiguation.

Fassung at the Guggenheim Museum. He served in the German army during World War I. Klee grew up in Berne, Switzerland, and returned there often, even before his final emigration from Germany in He died before his application for Swiss citizenship was processed.

Der Blaue Reiter , p. Chronologie einer Freundschaft , pp. Paul Klee und das Bauhaus. Chronologie einer Freundschaft , p. Reimer, Berlin , p. Leben und Werk , Munichn , p.

Meisterwerke der Kunst, Isis Verlag. Archived from the original on 9 January Retrieved 25 September Retrieved 26 October Archived from the original on 29 April Retrieved 19 May Guggenheim Museum Library, , Pushkin Press, , Archived from the original on 14 July Retrieved 2 October Archived from the original on 1 November

Im Dialog Phönix Video

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